As the title suggests, everything on this blog concerns violence against trans women.
The Trans Women's Anti-Violence Project is a trans feminist project addressing issues of systematic, institutional and interpersonal violence and oppression experienced by trans women (those who were coercively assigned male at birth and identify or are identified as women/female) across multiple identities (e.g., race, class, dis/ability, citizen-status, nationality, sexuality, age, HIV status, and form, status, or age of transition, etc.)
Ida Hammer is a writer and social justice communicator. She organizes the Trans Women's Anti-Violence Project. She presents workshops and trainings on cis privilege and being a trans ally. She's also involved in organizing against sexualized violence. She's a proud dyke-identified trans woman and an organizer of the New York City Dyke March.
Rivers of Honey is a women-centered monthly cabaret at WOW Café Theatre in NYC. Since it began in 1998 Rivers has served as a major cultural institution, a launch pad for artists and producers whose work might never have been seen and celebrated in mainstream venues, and a vital, queer-centric POC community space.
In August 2011, a small and closed Rivers of Honey team stated the cabaret is now a “platform for womyn of color, defined as female-bodied individuals.” Under this new policy trans women are no longer welcome to produce or perform. Trans men and other female-assigned gender non-conforming people are still welcome provided they identify with the “female-bodied” women’s only space.
For the past 8 of Rivers’ 13 year existence, trans women, trans men and gender non-conforming people have all been welcomed be a part Rivers of Honey. Until recently, language inclusive of all women and trans folks has appeared on Rivers of Honey fliers, the WOW website, and Facebook and MySpace pages. A Rivers of Honey mission statement that was collectively written and agreed upon in August 2009 states that: “Rivers of Honey is a monthly women’s cabaret featuring queer and trans artists of color.”
Questions about how these decisions were made, requests for clarification, and objections to the policy have been met with silencing, dismissal, and the refusal of further discussion.
Rivers of Honey is an important institution for our community. We love and value it deeply and therefore do not wish to see it replicate the trans misogyny and transphobia we struggle so fiercely against in our larger society.
We, queer and trans people of color, community members, past performers, producers and audience members want to see:
We ask our community members and allies to join us in voicing your opinions and concerns. We offer these ideas for participation: